The Living Daylights takes the Bond series far away from the la-la land of shoddy rear projection and abundant stunt doubles and grounds it back into realism. Timothy Dalton's Bond is grim but not bad and not without a few moments of dry wit. The plot is standard grade spy stuff: defections, back stabbings, decoys, and other sneaky tricks. They throw in a subplot involving Afghan rebels, but it's not noteworthy. Actually, the story was pretty boring. I'm a big fan of both Jeroen Krabbe and John Rhys-Davies, but neither actor managed to develop their characters enough to stand out. They seem kind of half-hearted about the whole thing. The Bond girl, Maryam d'Abo, also seemed bored. She just didn't seem into it. Fortunately, the filmmakers decided against the tasteless wordplay and cheesy visual puns that plagued the Moore films and instead favored a more From Russia with Love-flavored tone that was lighter on gadgets and jokes. The stunt-work was impressive and there's a noticeable improvement in the limited rear projection work. The Living Daylights isn't a great film, but it's a huge improvement over its immediate predecessors. I don't understand all the hate towards Dalton's Bond. I thought he was pretty good despite the lackluster film surrounding him.
6/10
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