Starship Troopers (1997)

Starship Troopers is the third film in what I call Paul Verhoeven's unofficial sci-fi trilogy (the first two are Robocop and Total Recall), and it's a blast. While it has a great supporting cast (Michael Ironside, Clancy Brown, Neil Patrick Harris), it also holds the notable distinction of making both Casper Van Dien and Denise Richards look like they can act. Van Dien and Richards star as young high school graduates who enter the military to combat an on-going conflict with enormous bug aliens across the galaxy. The film is part high school drama, part satire, and almost all action. Much of the film's humor comes from the jingoistic, propaganda-laden, and brainwashed universe that the characters live in. But even with the satirical elements, the film still has a generous supply of stupidity. Regardless, it's good, stylish fun. The music is by the excellent Basil Poledouris, and it's got some funny "future" 90s pop songs. Of special note is the special effects which still hold up well today despite a good amount of it being late-90s CG. My only complaint is that the film is a hair on the long side, clocking in at 129 minutes.

8/10

Repo Man (1984)

Repo Man is awesome--it's quirky, bizarre, biting, and hilarious. Emilio Estevez stars as Otto, a white suburban punk who quits his job and becomes a repo man alongside Bud (Harry Dean Stanton). They compete to seize a mysterious radioactive 1964 Chevy Malibu while dodging alien conspiracists, the Rodriguez brothers (a rival repo gang), and wacky government agents. The world is inhabited by mindless middle-aged folk, punks, televangelists, and the cosmic unconscious. Repo Man has the same offbeat energy and wild enthusiasm as Buckaroo Banzai, but it's put to better use as there's a lot less zaniness for pure zaniness' sake. The characters are colorful, and the film is highly quotable. I also loved how all of the products were labeled plainly: BEER, FOOD, DRINK, and I wonder if Don Delillo saw Repo Man before writing White Noise. In fact, there are quite a few similarities between the two. While I'm not big into punk music, the soundtrack fit the film really well. One of the most inventive and creative cult films I've ever seen. I highly recommend it.

8/10

Kiss the Girls and Make Them Die aka Se Tutte le Donne del Mondo (1966)

Kiss the Girls and Make Them Die is a lighthearted spy spoof comedy in the vein of Dino De Laurentiis' other comic book outings in the 1960s (ie Danger: Diabolik, Barbarella). Matt Connors stars as American secret agent Kelly, working to uncover a hairbrained scheme to sterilize the United States by a grinning horndog maniac Conrad Veidt impersonator (Raf Vallone). The plot is rather similar to Moonraker, which didn't come out for another decade and a half. Connors is a bit boring, but he's okay. Terry-Thomas provides the comic relief--as if the film really needed any. As far as comic relief goes though, Terry-Thomas is as good as you can get, and I love him for it. The film plays out with tongue firmly placed in cheek, including some pretty childish gags--slipping on a banana peel, for example--but it kept my attention. The real star of the picture was the music by Mario Nascimbene which is equal parts bossa nova and '60s Italo-soundtrack. Kiss the Girls and Make Them Die is a comic book movie the way comic book movies should be made--fun first, questions later.

6/10